An inspector hunts down Nobel Prize-winning Chilean poet, Pablo Neruda, who becomes a fugitive in his home country in the late 1940s for joining the Communist Party.

Argentina continues Saura’s lyrical exploration of the essence, talent and patrimony of popular dance and song in both fiction and documentary

At a Latin American Presidents’ Summit in Chile where the region’s alliances and geopolitical strategies are shaped, Hernán Blanco, the president of Argentina, lives a political and family drama. Through his son in law, he’s implicated in a corruption case. On her father’s call, Marina Blanco, attends the Summit to find protection, to earn time and to negotiate a way out. Once the thriller starts to build up, the film drifts towards a different direction: a search in their mutual past, as if in the past, a key to understand the significance of the exercise of power could be found. The history of a father versus that of his daughter. That past once calm and domestic, becomes a menacing element, almost fantastic, seen from the top of public life, seen from the Summit.